Saturday, May 25, 2013
the monkey and the crocodile
Recruits
through seaside fogs,
-singing worn out songs
that longed for danger,
and complained about the chow.
Songs about lovers stolen
by some universal seducer
named Jodie.
We watched our tracer rounds
hit targets in the seaside dunes.
They glowed like fireflies at noon.
We were country boys
and city boys
and even some
suburban boys.
All shorn and shaved,
so who could tell
who was me and who was you?
Just meat of various cuts and flavors,
sweating and swearing
in unison and wearing
the obligatory
olive drab cotton.
The drill sergeants barked
Do you miss your mama?
as they strutted beside
our ranks and columns.
We froze in formation
trying not to blink
or flinch, to show them
how tough we were?
Convinced that we were ready
but they knew it was a thin
tissue of self deception, a vanity
that would be torn away soon enough
in tropical horror or boredom
and there would be
no more singing as we ran:
Sittin’ on the mountain top
beatin on a drum.
Beat so hard that the MP’s come
MP, MP, don't arrest me,
arrest that guy
behind the tree.
He stole the whiskey,
I stole the wine.
Now all I do is double time.
Gimme your left, your left,
your left right left.
some sightings on wilshire boulevard
al qaida spiked my milk and nescafe with hallucination pills
dinosaur on a leash
paris or new york it seems, somewhere stylish anyway:
strolls along a leafy boulevard with a crocodile on a leash
-a small one, rooster-sized, perhaps an eodromaius
-no sauerkraut or mustard please
and the boys would want to know if she fights or bites
emerging from the paris metro
tipping my hat to slack-jawed gawkers
of hot dog into the air
to catch the snack in her slender jaws
i twirl my slim mustachio
and make a sweeping bow
marina boulevard
the gift
thanks, we don't need to compete
with that stupid television
it's just bizarre, shows about people
with mental conditions like hoarding
it's kind of like when you see
a smash up on the freeway
you can't take your eyes off it
not at first anyway
oh yeah, i wasn't always this way
and barely going out at all
-believe it or not.
on the mantel?
the one beside the little statue?
doing my one man show.
hardly recognize me now, can ya?
the master of the random
you want me to explain?
when you make something,
i mean almost anything
a painting, a house, a car
a poem, it tends to have
a certain pattern, a symmetry
but the structure, the contrivance
the hand of the creator
so to speak, is apparent
created it rather than nature
it's the difference between say
a really earnest attempt
and a fir tree growing in the woods
but that's what i could do
i could arrange rocks in a pattern that was beautiful
but had a randomness and asymmetry
that still contained the sacred and mysterious
apartment project down by the embarcadero
setting river pebbles in concrete
and it was really going great,
off my day with a couple boilermakers
down at this dive on the docks
(this was before they sanitized
and yuppified the waterfront)
all this great work, the contractor
kind of got a stick up his ass
about me showing up for work
with a pretty good buzz on
with all the pebbles look random and natural,
there's no discernible pattern.
so he laid me off and got some
regular sober guy to try to do the gig
no matter how he tried, the pebbles
started going into rows, and worse than that,
because he was trying to make it look natural,
they were really awkward half-assed
and i finished up the job
to other things, that it was just the way
my brain works, a kind of cognitive dissonance
that still had some pattern to it
like chaos theory, know what i mean?
at the high tideline on the beach
or clouds are shaped and arranged across the sky,
the color that the sun paints them with at sunrise
other kinds of stuff, with a camera or
a tape recorder, and of course my eyes and ears
and i would put them together
in photographs or poems
was trying to do, in his way
letting the action guide his hand
to strip away the confines of deliberation
the imprisonment of mind,
at play, it's kind of like like you fool the frontal cortex
and let the deeper parts of your mind direct
your hand or your words or whatever and bring out
something that has meaning and beauty
even in apparent dissonance
without being just a jumble or gibberish
was trying to do with finnegan's wake
but you need a annotated guide to really
get what he was saying, so does that
mean his attempt failed? maybe.
i'm glad he tried.
that magic anymore. my instincts have slipped away
now the world itself is too bewildering,
algorithms do this all auto-magically
if i search the web for 'rats in a piano'
a million hits come up: even a video of rats playing on a piano
pied pipers, the superstitions of negros in new orleans,
piano insurance against vermin damage,
exterminators............
billy the exterminator. followed by shows
dedicated to morbid obesity,
or how to protect myself from
national security agencies tracking
credit card microchips by lining
my wallet with aluminum foil
that bouillabaisse? speaking of which,
it's time for the show about the crab fishermen braving arctic storms,
would you pass me the remote, if you don't mind?
i think i'll just ease this la-z-boy back to full recline