at diamond lil's in idaho city
the first sip
of kentucky bourbon,
bites before it soothes
the heavy glass sits on the bar
where antique currency under varathane,
shows buffalos and indian chiefs.
a five dollar silver certificate entitled:
"electricity as the dominant force in the world"
depicts a winged goddess holding aloft a light bulb
red christmas tree lights
frame the potions behind the bar,
a warm enveloping womb
the regulars on their stools
watch the seahawks fight the titans
with the sound turned off
a wurlitzer jukebox,
with robotic CD guts
delivers sixties songs
softly bouncing off the walls
of faded photographs: gold miners
posed in front of the water cannons
they used to wash away the hills.
or in their best sunday black
for a fourth of july parade and picnic.
dollar bills with sharpie-marked inscriptions
dangle from the ceiling, rustle in the door breeze
beer signs for vanished brews,
rusty license plates, strange implements,
a john wayne quick draw movie poster
a urinal filled with ice melts beneath hot piss
and pictures of naked women
stapled to the wall
the football game goes on,
the rolling stones roll on
the conversation turns
to squatters rights in costa rica
where the bartender spends his winters
and the lady sipping amber ale
has a plot of land
with a thousand mahogany saplings.
they agree that she should look for him
at the taco joint in hako this february.
he plays dominos there daily
from noon til three
guy with a ponytail
sticking out of his baseball cap
orders a shot of ice cold jagermeister,
says it's the only shot that he can hold
the seahawks whip the titans as night enfolds
the bar, the courthouse, the ice cream shop
the toy store, the catholic church,
the men in camo standing around
their harleys and their four by fours
grousing about the president
and the world they fear
they've lost.
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