Western light
through a November
window.
Axial was the term
you introduced me to.
Like a horizontal searchlight.
Sunday afternoon
in your kitchen.
Oilcloth and newspapers
covered the table
where
three disassembled crabs
waited for our eager mouths.
Sourdough,
and a bottle of Napa red.
Your wife, the sexiest
woman I’d ever met,
leaned back into the sun
streaming through the window,
blew out a jet of Marlboro.
Laughed like she’d
just heard the funniest
dirty joke she'd ever heard.
I brought a box of photos,
you’d seen most of them before,
a few at a time, now I wondered
how you’d put them together,
which ones go where,
which ones to ignore.
That was close
to half a century ago,
and cancer took you
two years ago.
I kept thinking over the years
that I’d like to drop on by.
Every time I crossed the bridge
and looked up at your house
on the hill with the view
of the refinery.
Or maybe we could
walk up Columbus,
find a place that did
chops and vegetables
in the style we used to get
before class. two foot flames
roaring up from the skillet.
Wine served in water glasses.
Probably not, they closed up
a long time ago.
We’d find something new
and that would be just fine.
You died before I ever called.
I still remember the number.
I could use it as a PIN at the bank,
because I’ll never forget it.
And what I’d like to ask you,
is the same thing I asked
that sunny November afternoon
- which photos to choose,
those same ones from the seventies,
and which ones to ignore.
And I could share my poetry.
You liked poetry back then.
I didn’t get it, didn’t see
the relationship between poems
and photographs. Now I do
and now it’s too late to
eat crabs and drink Napa red.
No Marlboros or Camels.
No watching the lights
at the refinery, or flames
flaring in the night.
You’re such a good writer. I feel this so much lately. I should have done all the things. I should have been writing, too. I’ll be back to writing soon, after so long, because I quit my job. —Sandee
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