I spent a good chunk
of my thirties building
plastic model tanks.
Shermans, Tigers, Panthers
American, German, Russian.
Named for generals and cats.
Put them in meticulously
created fictitious scenes
as if the Cold War
in which I’d served
and then rejected
had turned hot.
Juggling and struggling
with God and Revolution
at 1/35 scale; a scale
I tried to handle on my desktop.
A Patton M60A1E
crashing through a Safeway.
A French howitzer embedded
in the ruins of a McDonalds.
I wasn’t hungry for aggression,
the scenes weren’t always bleak.
I recreated a photograph I saw
of a young man playing a clarinet
next to a burned out
Sherman tank in Managua.
An imaginary picnic in
the ruins of the no man’s land
between East and West Berlin
inspired by the Christmas Truce of 1914,
when German and English soldiers
crawled out of the trenches,
kicked around a football,
shared cigarettes
and Christmas songs.
Before the chlorine
and mustard gas attacks,
the vanities of commanders,
and the storm of steel
and TNT resumed.
The last diorama I built
had multifold hands I crafted
from plastic Chinese backscratchers
bursting through the muddy soil
as if the Earth herself
was reaching up to drag a tank
down into her molten center.
The earth in my basement
had the final word; all my
dioramas corrupted by the
damp and moldy soil.
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